I’ve found that with so much of today’s music sound fairly similar to itself, it’s hard to discover something that’s new and really makes you go “Wow – yeah this is good.” For me, these are the albums from 2014 that have done that.
In alphabetical order.
The Archers – These Wicked Woods – These Victoria natives put out their first full length this year. Their five part harmonies make this stomp-folk worth a listen.
BADBADNOTGOOD – III – Hiphop, jazz, house – I don’t exactly know what to call it, but it’s got some sweet groove.
The Colourist – The Colourist – A good, fun album. This defines pop-rock for me. You’ve probably already heard this one but can never place it.
Hanz Zimmer – Interstellar Original Soundtrack – Go see this movie, if just for the music.
Hozier – Hozier – Along with Shakey Graves, I think that Hozier is doing the “solo-stomp-folk” right.
Ingrid Michaelson – Lights Out – In the “girls who play piano” category, Michaelson’s album doesn’t venture too far from what you’d expect – but the songwriting and collaborations are on point.
Kimba – The Golden Echo – This record reminded me a lot of Janelle Monae, proving that Kimbra is more than one hit wonder back up singer material (See: “Somebody I Used to Know”)
Little Hurricane – Gold Fever – I was lucky enough to see this duo at SXSW this year – and no one else is doing the “boy and girl blues” better than these two.
Lykke Li – I Never Learn – Probably one of my favourites of the year, this song was my anthem for the first six months of 2014. When I talk about songs that “go somewhere” – this is what I mean.
Owen Pallett – In Conflict – Minimalism and arranging at it’s finest. In Conflict is as beautiful as it is haunting.
Reuben and the Dark – Funeral Sky – For the “folk band that swims in reverb” fans – definitely check out these guys.
Sharon Von Etten – Are We There – Another girl with a piano – but this one is much more heartbreaking than Lights Out. If you’re feeling a little low about your lover – I’d recommend this.
West My Friend – When the Ink Dries – Friends of the blog, West My Friend’s full length has a lot of surprises. See my review for more detail, but listen to this fun one for now.
Honourable Mentions – Kevin Drew – Darlings, PUP – PUP, Taylor Swift – 1989, Arkells – High Noon, St. Vincent – St. Vincent, Snarky Puppy – We Like It Here, Gutterbird – Speak Easy, The Antlers – Familiars, Beck – Morning Phase, Hey Rosetta – Second Sight, Tokyo Police Club – Forcefield.
Feel free to argue, complain, disagree or hate!
West My Friend “Place”
Grammar Fight Records 2012
West My Friend is:
Eden Oliver: Vocals, Guitar, Flute
Alex Rempel: Mandolin, Vocals
Jeff Poynter: Accordion, Vocals
Steven Taddei: Bass, Vocals
Place represents a milestone in the relatively short life of West My Friend. Their first full length album, following up on their self-titled EP released in 2011 will be available for wide-spread release on April 5th 2012. I’ve had the pleasure of working with West My Friend before to record backing tracks to BFA: The Musical in the summer of 2011, and I am excited to bring you a sneak peek of what you can expect to hear on Place.
The 4 piece consisting of guitar, bass, accordion, and mandolin bring a unique style. The 13 song album comes in at just under 50 minutes, making each song just shy of an average 4 minutes each. A unique aspect of the creation of this album is that the band used the fast-growing site IndieGoGo.com. It allows for groups such as West My Friend to let their fans donate money to their cause. In this case it was recording this album. Their campaign using YouTube helped them with the funding of Place.
The first track on the album, “Tic-A-Toc,” is a great opener and sets the tone for the rest of the album; a slow build to the first chorus that introduces all the elements of the band. This instrumentation is not one that the average listener will encounter on their everyday music-going experience. The mandolin and the accordion bring a distinct feeling to the band’s vibe and musical structure, the shuffling drums carry the momentum of the track throughout, and syncopated lines between the band members provide a back and forth swaying motion (dare I say pendulum like?). “Tic-A-Toc” closes with a fantastic melodic line – with the male members imitating the ticking, and Eden, the lone female and lead vocalist, leading with “Ding Dongs.”
Throughout the record, Eden’s voice has the ability to rise above the instrumentals and then sits comfortably, meshing with the gents in harmony. The production is generally consistent over the course of the record, with the accordion in your left ear and the mandolin in your right.
One of my favourite tracks on the album is “Shakes and Rattles.” It starts stark with just the mandolin and the lead vocal. The reverb suggests a large empty space, bordering on cavernous. The pseudo-sloppiness of the drums works fantastically with the reverb, and this track marks, albeit briefly, the introduction of the flute for the first time. The climax comes when Eden’s voice returns in the chorus with “Shakes, Rattles, Shakes,” and the track denouements into black with a trailing cymbal.
(“I Refuse” – with Chris Ho)
Although the band is able to maintain a high level of energy on all of their tracks, I feel that the ones with drums backing them tend to be more cohesive and convey the style of the song just a bit more. A track like “I Refuse” would benefit from a solid beat behind it, as well as smooth fills in the syncopated bits where the music drops. A few tracks later, the band shows off their strict music talent doing a version of the “Pin Oak Reel.” Each member takes the lead, with Jeff on guitar and Eden on flute, while Alex provides some rather slick mandolin lines.
“Home By The Sea” provides a change of pace from the previous mainly upbeat tracks. The male vocals, provided by Alex, are a welcome variety, the lyrics describing a dwelling the title refers to. Swelling accordion and vocals combine for a captivating timbre as the percussion rises, causing the track to lean toward a bobbing motion while boomy drums rise, wave-like, which was one of the stand-outs for me on the album.
The album closes with what feels like the music that would be playing during the credits of the West My Friend movie. “Oh Future” is a blues and folk infused track with a crunchy piano that fits into the half-ragtime style of the song. It is definitely the perfect track to end the album.
West My Friend provides a great outing on their first full length album, Place, drawing inspiration from many different styles and showing off their ability to play create lush indie, emotional folk, with a bit of roots-twang here and there. The upbeat and downbeat tracks provide a fantastic contrast in sounds that the classically trained band is able to produce. If you wish Mumford and Sons had an accordion and a female lead singer, West My Friend is the band for you. You can pick up Placeon April 5th, 2012 from their website http://www.westmyfriend.com/apps/webstore/ or at their CD release show (featuring the Kovich String Quartet) at Hermann’s Jazz Club.